Blurred genre and patriotism Netflix <The Robbery: The Sound of the Sword> review
The content that we have been in the Japanese colonial era is often easier to avoid criticism.Even though it is difficult to translate the story of the colonial rule of revenge against the colonial rule of the colonial rule.For Korean people, the time is stored as a time of snow disgrace and resentment.The story that we have been in the background of this era is the major emotional force of justice and independence forces.And if the world’s world-office performance of this work, it is not much better.It’s another opportunity to tell the world of Japan’s war criminals.The drama “The thief: “The sound of the sword” released in 2022023 years, which is a lot of the drama.
From the beginning of the first episode, the war criminal flag, which is like a symbol of colonial rule, is placed behind it to visually predict what era we are in and what stance we will approach this story.
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They introduced new concepts as independent military, and the Japanese army, which has been introduced to the new concept of ” stolen band”.If you become money, what is found that it is found that it is found that it is found.The central of the thief is the center of the thief (Kim Nam Gil actor).The Japanese army was temporarily working with a person who was not guilty of crime, but he is working as a thief.And in the corner, the Korean governor of the Korean governor of the Korean governor of the Korean governor.
Lee Yun was not a person who lived for the independence movement. If he had ever eaten into him, he felt guilty about joining the Japanese army and killing an innocent person.
He had no strong sense of solidarity or public sentiment toward his compatriots.However, he also becomes the object of forgiveness and tolerance to someone and naturally stands on the side of justice, determined to use his life for him.Only by hiding their identity and secretly preparing for the operation, the activists of that period continue to lead the play while carrying out tense tasks.Another dramatic device that this drama uses is another assassin who is not on anyone’s side. The assassin has a human bond with the head of a band of thieves, but also carries out requests from the Japanese military. He is in a situation where he has to kill the main character while threatening his existence. Despite setting this character attractively and focusing on many scenes for his coolness, his humanity feels too strong compared to his assassination career and receiving orders.Well, it’s a different story.Another dramatic device that this drama uses is another assassin who is not on anyone’s side. The assassin has a human bond with the head of a band of thieves, but also carries out requests from the Japanese military. He is in a situation where he has to kill the main character while threatening his existence. Despite setting this character attractively and focusing on many scenes for his coolness, his humanity feels too strong compared to his assassination career and receiving orders.Well, it’s a different story.The English version will be published in WordPress :)Review: “Song of the Bandits” In Korea, where the genre is blurred and patriotic, descriptions set in the Japanese colonial era tend to avoid criticism. It may not be popular, but it’s hard to resist the story of “Dyson.”wordpress.comReview: “Song of the Bandits” In Korea, where the genre is blurred and patriotic, descriptions set in the Japanese colonial era tend to avoid criticism. It may not be popular, but it’s hard to resist the story of “Dyson.”wordpress.comReview: “Song of the Bandits” In Korea, where the genre is blurred and patriotic, descriptions set in the Japanese colonial era tend to avoid criticism. It may not be popular, but it’s hard to resist the story of “Dyson.”wordpress.com